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High fidelity systems

High fidelity or hi-fi reproduction is areach for anyone of modest means.
quality standard that means theAfter World War II, several innovations
reproduction of sound or images is verycreated the conditions for a major
faithful to the original. High fidelityimprovement of home-audio quality:
aims to achieve minimal or unnoticeableReel-to-reel audio tape recording, based
amounts of noise and distortion. Theon technology found in Germany after the
term high fidelity tends to be appliedwar, helped musical artists such as Bing
to any reasonable-quality home-musicCrosby make and distribute recordings
system, though some believe that awith better fidelity.
higher standard than this was intended,the advent of the 33? RPM Long Play (LP)
and in 1973, the German Deutschesmicrogroove vinyl record, with low
Institut für Normung (DIN)surface noise and
standard DIN 45500 laid down minimumquantitatively-specified equalization
requirements for measurements ofcurves. Classical music fans, who were
frequency response, distortion, noiseopinion leaders in the audio market
and other defects and gained somequickly adopted LPs because, unlike with
recognition in hi-fi magazines.older records, most classical works
High-fidelity enthusiasts are oftenwould fit on a single LP.
known as audiophiles. As the term hi-fiFM radio, with wider audio bandwidth and
is today used generically, the luxuryless susceptibility to signal
end of home audio electronics is ofteninterference and fading than AM radio.
termed "high end."better amplifier designs, with more
Historyattention to frequency response and much
The 1920s saw the introduction ofhigher power output capability, allowing
electronic amplification, microphones,audio peaks to be reproduced without
and the application of quantitativedistortion.
engineering principles to theIn the 1950s, the term high fidelity
reproduction of sound. Much of thebegan to be used by audio manufacturers
pioneering work was done at Bellas a marketing term to describe records
Laboratories and commercialized byand equipment which were intended to
Western Electric. Acoustically-recordedprovide faithful sound reproduction.
disc records with capriciously peakyWhile some consumers simply interpreted
frequency response were replaced withhigh fidelity as fancy and expensive
electrically recorded records. Theequipment, many found the difference in
Victor Orthophonic phonograph, althoughquality between "hi-fi" and the then
purely acoustic, was created bystandard AM radios and 78 RPM records
engineers who applied waveguidereadily apparent and bought 33 LPs, such
technology to the design of the interioras RCA's New Orthophonics and London's
folded horn to produce a smoothffrrs, and high-fidelity phonographs.
frequency response which complementedAudiophiles paid attention to technical
and equalled that of the electricallycharacteristics and bought individual
recorded Victor Orthophonic records.components, such as separate turntables,
Meanwhile, the rise of radio meantradio tuners, preamplifiers, power
increased popularity for loudspeakersamplifiers and loudspeakers. Some
and tube amplifiers, so there was anenthusiasts assembled their own
anomaly of a period of time during whichloudspeaker systems. In the 1950s, hi-fi
radio receivers commonly usedbecame a generic term, to some extent
loudspeakers and electronic amplifiersdisplacing phonograph and record player.
to produce sound, while phonographs wereRather than "playing a record on the
still commonly purely mechanical andphonograph", people would "play it on
acoustic. Later, electronic phonographsthe hi-fi".
became available, as stand-alone unitsIn the late 1950s and early 1960s, the
or designed to play through consumer'sdevelopment of the Westrex single-groove
radios. The now ubiquitous RCA connectorstereophonic record led to the next wave
was first introduced by the Radioof home-audio improvement, and in common
Corporation of America for this purpose.parlance, stereo displaced hi-fi.
The development of Sound film in theRecords were now played on a stereo. In
1930s led motion picture companies tothe world of the audiophile, however,
develop amplification and loudspeakerhigh fidelity continued and continues to
systems to fill movie theaters with goodrefer to the goal of highly-accurate
quality sound at a reasonable volume. Tosound reproduction and to the
achieve this result, they employedtechnological resources available for
loudspeakers with separate sections forapproaching that goal. A very popular
low and high frequencies ("woofers" andtype of system for reproducing music
"tweeters"), connected via an audiofrom the 1970s onwards is the integrated
crossover network, and more carefullymusic centre--the successor to the older
engineered enclosures. This developmentstereogram or radiogram. Purists will
exposed the public to better fidelitygenerally avoid referring to these
than home equipment was capable of atsystems as high fidelity, though some
the time. Some movie stars purchasedare capable of very good quality sound
movie theater sound equipment for use inreproduction.
their homes but the cost was out of



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